{"id":2324,"date":"2011-03-07T19:06:38","date_gmt":"2011-03-07T18:06:38","guid":{"rendered":"http:\/\/enricomaciasloriental.fr\/WordPress\/?p=2324"},"modified":"2011-03-07T19:06:38","modified_gmt":"2011-03-07T18:06:38","slug":"enrico-macias-voyage-encore","status":"publish","type":"post","link":"https:\/\/enricomaciasloriental.fr\/WordPress\/enrico-macias-voyage-encore\/","title":{"rendered":"Enrico Macias voyage encore"},"content":{"rendered":"

\"\"<\/a>Paris\u00a007\/03\/2011 –\u00a0En pr\u00e9ambule de ses 50 ans de carri\u00e8re qu\u2019il f\u00eatera en 2012, Enrico Macias publie Voyage d\u2019une m\u00e9lodie<\/em>, un recueil en forme de ballade nomade entre les traditions s\u00e9farade et ashk\u00e9naze. Cor\u00e9alis\u00e9e par une paire d\u2019experts aux manettes, son fils Jean-Claude Ghrenassia et le DJ de Montr\u00e9al So Called, cette bande-son ouvre de nouvelles perspectives pour le septuag\u00e9naire chanteur, un v\u00e9ritable bain de jouvence \u00e0 l\u2019image des duos in\u00e9dits qui rythment cette travers\u00e9e esth\u00e9tique sur le fil m\u00e9lodique.<\/p>\n

RFI Musique : Pourquoi ce titre, Voyage d\u2019une m\u00e9lodie<\/em>\u00a0?
\n<\/strong>Une m\u00e9lodie, c\u2019est comme une \u00e9toile. Il y en a dans le monde entier. Ce voyage est une invitation \u00e0 la rencontre de plusieurs m\u00e9lodies qui font se connecter et se rapprocher toutes mes racines, et d\u2019autres qui ne sont pas les miennes. Cela va de la tradition yiddish et ashk\u00e9naze, comme Tu n\u2019es pas seul au monde<\/em>\u00a0ou Lehaim<\/em>, \u00e0\u00a0Snitra<\/em>, une chanson berb\u00e8re, d\u2019Adio Kerida <\/em>qui est le t\u00e9moignage de l\u2019h\u00e9ritage arabo-andalouse, \u00e0 Yalali<\/em>, un th\u00e8me qui convoque la tradition alg\u00e9roise\u2026\u00a0 Au final, il s\u2019agit d\u2019un parcours dans une diversit\u00e9 musicale qui a pour trait d\u2019union mes origines\u00a0: je me retrouve autant dans Le chant des partisans<\/em>\u00a0de Vilnius que dans\u00a0Les S\u00e9farades<\/em>\u00a0dont le texte est sign\u00e9 par l\u2019\u00e9crivain Eliette Abecassis.<\/p>\n

Vous rapprochez deux traditions, s\u00e9farade et ashk\u00e9naze, a priori \u00e9loign\u00e9es\u2026
\n<\/strong>En termes de culture, oui. Et ce autant d\u2019un point de vue culinaire que musical. Mais en m\u00eame temps, il existe des points communs, par l\u2019Empire Ottoman qui a domin\u00e9 une grande partie de cette zone o\u00f9 se trouvaient ces communaut\u00e9s juives. Cet ensemble politique nous avait en quelque sorte, r\u00e9unis. C\u2019est aussi ce que j\u2019ai voulu faire ici\u00a0: il est inadmissible que les S\u00e9farades et Ashk\u00e9nazes soient divis\u00e9s, alors que nous avons depuis longtemps des points de convergence. Nous sommes certes diff\u00e9rents, mais compl\u00e9mentaires.<\/p>\n

Cet \u00e9loignement a de toute fa\u00e7on tendance \u00e0 dispara\u00eetre avec les nouvelles g\u00e9n\u00e9rations\u2026
\n<\/strong>Oui, c\u2019est certain. C\u2019\u00e9tait beaucoup plus dur il y a quarante ans qu\u2019aujourd\u2019hui, \u00e0 tous les niveaux\u00a0: politiques, culturels\u2026 C\u2019est d\u00e9sormais moins le cas, et on ne peut que s\u2019en f\u00e9liciter \u00e9tant quand m\u00eame de la m\u00eame famille. Mais au-del\u00e0 de cette histoire, mon id\u00e9e est de rapprocher tous les humains de cette plan\u00e8te. Nous sommes tous fr\u00e8res, non\u00a0?<\/p>\n

D\u2019o\u00f9 l\u2019envie de demander \u00e0 So Called, un Ashk\u00e9naze d\u2019outre-Atlantique, de venir produire une partie du disque\u00a0?
\n<\/strong>C\u2019est un sacr\u00e9 personnage celui-l\u00e0\u00a0! J\u2019ai \u00e9t\u00e9 impressionn\u00e9 par le travail de relecture de la tradition klezmer qu\u2019il m\u00e8ne depuis des ann\u00e9es. C\u2019est ce qu\u2019il apporte dans ce projet, ce c\u00f4t\u00e9 jazz un peu \u00e9tonnant. Il place m\u00eame des petits effets \u00e9lectroniques. C\u2019est un excellent musicien et humainement, une belle personne. Notre premi\u00e8re rencontre, c\u2019\u00e9tait au Canada. Si So Called a accept\u00e9 ce projet, c\u2019est aussi parce qu\u2019il \u00e9tait convaincu des connexions entre nos deux univers\u00a0: qu\u2019un S\u00e9pharade avec une culture aussi prononc\u00e9e que la mienne puisse chanter des grands airs yiddish et inversement. Paris tu m\u2019as pris dans tes bras<\/em> est ainsi traduite en yiddish. C\u2019est comme un boomerang. Il a \u00e9crit tous les arrangements de la th\u00e9matique yiddish, et Jean-Claude, mon fils, s\u2019est charg\u00e9 des autres.<\/p>\n

\"\"<\/a>Ce n\u2019est pas trop compliqu\u00e9 de chanter en yiddish\u00a0?
\n<\/strong>C\u2019\u00e9tait un d\u00e9fi\u00a0: c\u2019est la premi\u00e8re fois que je chante en yiddish\u00a0! Quand on ne poss\u00e8de pas une langue, ce n\u2019est pas facile de savoir o\u00f9 placer les accents, comment ponctuer, ou mettre les bonnes inflexions. Heureusement, j\u2019ai eu un coach, Claude Zuffrieden qui est professeur de yiddish et d\u2019anglais. J\u2019\u00e9tais \u00e0 cheval sur la m\u00e9trique des mots pour tomber juste, et il m\u2019a beaucoup aid\u00e9\u00a0: cela m\u2019a facilit\u00e9 la t\u00e2che pour \u00eatre \u00e0 l\u2019aise dans la musique. J\u2019ai m\u00eame fait un duo avec Theodore Bikel\u00a0! Je chante aussi en berb\u00e8re avec Idir, un homme que je connais bien. L\u00e0 encore, c\u2019est pour moi in\u00e9dit\u00a0: cela n\u2019a rien \u00e0 voir avec l\u2019arabe que je parle. La chanson s\u2019intitule Snitra<\/em>, l\u2019histoire d\u2019une guitare et d\u2019un oiseau, qu\u2019il a \u00e9crite en s\u2019inspirant de ma chanson des ann\u00e9es soixante Oh Guitare Guitare<\/em>.<\/p>\n

Qui a eu l\u2019id\u00e9e des duos\u00a0?
\n<\/strong>Mon fils m\u2019en a sugg\u00e9r\u00e9. Comme Mi Corason,<\/em> une chanson d\u2019amour avec Yasmin Levy, en ladino. L\u00e0 je n\u2019ai pas eu besoin de coach\u00a0! C\u2019est une langue qui parle de mes origines. L\u2019Espagne arabo-andalouse. J\u2019ai m\u00eame \u00e9crit la musique de Shalom Aleikhem<\/em>, que j\u2019interpr\u00e8te avec Daniel Levi.<\/p>\n

Le style arabo-andalou n\u2019a jamais \u00e9t\u00e9 absent de votre carri\u00e8re, mais il est tout de m\u00eame plus au premier plan depuis une dizaine d\u2019ann\u00e9es, comme sur Oranges Am\u00e8res<\/em>. Votre fils joue un r\u00f4le tr\u00e8s important dans vos choix artistiques\u2026
\n<\/strong>Oui, il est tr\u00e8s dou\u00e9 en tant qu\u2019instrumentiste, mais aussi r\u00e9alisateur. Sur cet album, il a tout supervis\u00e9, en annotant \u00e7a et l\u00e0. Jean-Claude m\u2019a beaucoup inclin\u00e9 en ce sens. Et ma femme Suzy, qui \u00e9tait la fille de mon ma\u00eetre Cheikh Raymond, aussi. Mais c\u2019\u00e9tait \u00e9galement une envie personnelle. Depuis dix ans, je reprends du plaisir avec les instruments, que je n\u2019avais jamais tout \u00e0 fait d\u00e9laiss\u00e9s. Le oud, ses sonorit\u00e9s cristallines et chaleureuses, a toujours eu une place \u00e0 part dans mon c\u0153ur<\/p>\n

\n

Enrico Macias Voyage d\u2019une m\u00e9lodie<\/em> (AZ\/Universal) <\/em>2011
\nEn tourn\u00e9e fran\u00e7aise et \u00e0 l’Olympia \u00e0 Paris du 24 au 27 mars 2011<\/strong><\/p>\n<\/div>\n

Jacques\u00a0 Denis pour RFI musique <\/a><\/span><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Paris\u00a007\/03\/2011 –\u00a0En pr\u00e9ambule de ses 50 ans de carri\u00e8re qu\u2019il f\u00eatera en 2012, Enrico Macias publie Voyage d\u2019une m\u00e9lodie, un recueil en forme de ballade nomade entre les traditions s\u00e9farade et ashk\u00e9naze. Cor\u00e9alis\u00e9e par une paire d\u2019experts aux manettes, son …<\/p>\n

Enrico Macias voyage encore<\/span> Read More »<\/a><\/p>\n","protected":false},"author":36,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2324","post","type-post","status-publish","format-standard","hentry","category-actualites"],"yoast_head":"\nEnrico Macias voyage encore - ENRICO MACIAS L'Oriental<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/enricomaciasloriental.fr\/WordPress\/enrico-macias-voyage-encore\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Enrico Macias voyage encore - ENRICO MACIAS L'Oriental\" \/>\n<meta property=\"og:description\" content=\"Paris\u00a007\/03\/2011 –\u00a0En pr\u00e9ambule de ses 50 ans de carri\u00e8re qu\u2019il f\u00eatera en 2012, Enrico Macias publie Voyage d\u2019une m\u00e9lodie, un recueil en forme de ballade nomade entre les traditions s\u00e9farade et ashk\u00e9naze. 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Cor\u00e9alis\u00e9e par une paire d\u2019experts aux manettes, son …<p class=\"read-more\"> <a class=\"more-link\" href=\"https:\/\/enricomaciasloriental.fr\/WordPress\/enrico-macias-voyage-encore\/\"> <span class=\"screen-reader-text\">Enrico Macias voyage encore<\/span> Read More »<\/a><\/p>","category_list":"<a href=\"https:\/\/enricomaciasloriental.fr\/WordPress\/category\/actualites\/\">Actualit\u00e9s<\/a>","comments_num":"0 comments","_links":{"self":[{"href":"https:\/\/enricomaciasloriental.fr\/WordPress\/wp-json\/wp\/v2\/posts\/2324","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/enricomaciasloriental.fr\/WordPress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/enricomaciasloriental.fr\/WordPress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/enricomaciasloriental.fr\/WordPress\/wp-json\/wp\/v2\/users\/36"}],"replies":[{"embeddable":true,"href":"https:\/\/enricomaciasloriental.fr\/WordPress\/wp-json\/wp\/v2\/comments?post=2324"}],"version-history":[{"count":0,"href":"https:\/\/enricomaciasloriental.fr\/WordPress\/wp-json\/wp\/v2\/posts\/2324\/revisions"}],"wp:attachment":[{"href":"https:\/\/enricomaciasloriental.fr\/WordPress\/wp-json\/wp\/v2\/media?parent=2324"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/enricomaciasloriental.fr\/WordPress\/wp-json\/wp\/v2\/categories?post=2324"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/enricomaciasloriental.fr\/WordPress\/wp-json\/wp\/v2\/tags?post=2324"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}